Chacun A Son Gout
If I had access to all the right accent marks, that might be French for "each to his own taste" but the keyboard has nearly as many limitations as the writer does. The phrase came to mind as I withered under a continuing barrage of critical, on a good day, comment.
It seems that my seeming attraction to artists of the female persuasion who operate perilously near the edge of coloring noutside the lines is regarded as disturbing, un-natural, creepy, and worse. True enough, I am guilty of commending such worthy subjects as Esperanza Spalding, Lady Gaga (twice), Jessie J, Adele, Mary Travers, Lady Antebellum (which is a group and only partially female), and Madonna (for her ability to spit through her teeth) to you all.
Given time, I will eventually get to Jewel, the late Etta James, Chrissie Hynde, Lana Del Rey, and others. Going on limited defense, I will point out that I have saluted Andrea Bocelli, Luciano Pavarotti, Placido Domingo, Prince, Leon Redbone, the long-gone Ted Lewis, and have yet to bring up Willie Nelson and Roy Orbison (but plan to).
But, in a universe that features, on the male side of the ledger such performers for the ages as Justin Bieber and Cee Lo Green, what should one call a deeper interest in the distaff side? The word you are searching for could be "normal." (Interestingly, the complainers have been nearly universally male, so this predilection has not been a target for the PC police - yet.)
My character flaw in being attracted to the rule-breakers and stereotype-benders vould explain how it is that I turn away from some last-century exemplars of supply chain relationships in favor of bolder, newer approaches to business relationships.
For exmple, my intolerance of the mid-50s model of a logistics population made up of shippers of all types and carriers in all modes engaged in mortal combat over tendering loads and rate negotiations is out in the open. I simply don't care who wins those battles.
I am much more likely to be turned on by win-win (sometimes win-win-win) initiatives to do business based on relaionships, operational and planning intimacy, air revenue and margins, and mutual value propositions. In short, by new-century models of sustainable collaborative success for partners in integrated supply chains.
If that qualifies as kinky, bring on the bondage paraphernalia. And don't forget the deeper philosophical implications wrapped around Jane Foda's Barbarella.
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